Vergil

A SONG OF WAR
An Introduction to Vergil's Aeneid

 
 
WELCOME to Doctor Illa Flora's Introduction to Vergil's Aeneid!
 
 

Dr. Richard A. LaFleurs
(aka, Doctor Illa Flora)

About Dr. LaFleur

Recipient of the 2013 ACTFL Papalia Award for Excellence in Teacher Education

2021 tribute in The Classical Outlook  

A Song of War

Welcome to the website for my tutorial, "A SONG OF WAR: An Introduction to Vergil's Aeneid"

SALVETE, VOS OMNES!! This is the site for my online tutorial on the Aeneid. I am now offering this class, which I previously taught as a formal academic course for many years through a fruitful collaboration between the University of Georgia’s Department of Classics and Department of Independent and Distance Learning, as an independent self-paced tutorial for adult learners with a strong background in Latin (through at least the intermediate-early advanced level) who desire an introduction to Vergil's monumental epic poem.

The tutorial uses my and Alexander McKay's textbook, A Song of War: Readings from Vergil's Aeneid, which contains, in addition to many other selections, all the Vergil passages on the College Board's AP Latin Exam and has its own Student Companion Web Site at www.PHSchool.com (web code jwk 1000). I have considerable experience over a great many years working with K-12 Latin teachers, and those planning an AP course may be especially interested in the tutorial (N.B.: "AP" and "AP Latin Exam" are copyright by the College Board, which does not endorse this textbook or this tutorial or any other such independent study programs or specific textbooks).

If you think you may be interested in applying for this course of study, you should first read the Tutorial Overview here and then email me for further information.

Each of my tutorials is asynchronous, meticulously organized, and highly personalized; a customizable rapid refresher using WHEELOCK'S LATIN 7th Ed. and the Wheelock companion reader SCRIBBLERS, SCVLPTORS, AND SCRIBES, for those whose grammar and reading/translation skills may be a bit rusty, can be arranged as an add-on or a preamble to the Vergil tutorial.

MILLE GRATIAS AC VALETE!!

R. A. (“Rick”) LaFleur, aka Doctor Illa Flora

 

TESTIMONIA

Of course, you must know that I have enjoyed this course immeasurably. Such fun to have an intellectual challenge, to improve mastery of a language, to have a meaningful discourse with a teacher. I grew to love Vergil, which surprised me, as I was so taken by Ovid and in the beginning was put off by Vergil’s more direct and literal nature. But the saga itself was sweeping and compelling, and the poetry, while not the musical verse of Ovid, had its own stately grace. I think it was an excellent idea to twine the reading of selections in the Latin with the reading in English of the entire tale. As always I appreciated your rapid reply to my work and your care in correcting errors. I am so pleased we are not done with our journey together!


                                                           Judith E.

I have learned a great deal about Vergil’s Aeneid in this tutorial, including more about the Latin language in general, metrics and scansion, and literary analysis, as well as about the epic narrative itself, which is invaluable to understanding Roman culture as a whole. The discussion questions in particular were very useful in facilitating my understanding of the poem's content and artistry. Overall, this tutorial has been very rewarding and stimulating for me, and I look forward to working again with you in the Juvenal tutorial.


                                                           Paul Wright, research lab manager


While continuing to hone my skills in Latin grammar, reading for comprehension, and translation, I benefited from Prof. LaFleur's learned and persistent feedback. Simple answers are seldom given. He never gives up on making me come up with a good answer, no matter how many times we must exchange e-mails.

This is not a simple language course, but rather a literature course, which takes advantage of learning Latin to allow the student to understand, to get inside the mind of, the Roman author and reader or hearer. I learned how an epic can tie its parts together over long stretches with prophesies and reminders and legends--and that a national myth and origin story may have been as important for Rome’s conquests as their military might.


                                                           MDK, pediatric surgeon

The features of the Vergil tutorial were similar to the Ovid course, so the same comments would be relevant. I am always blown away by how much you love your subject and how you go into so much detail when giving feedback. Being in the presence of an enthusiast is very often uplifting, and definitely so in our case. I am very much looking forward to continuing and working together on Juvenal.

                                                           Adam Clay, Scotland

After completing my first Pensum of Vergil, I had this e-mail exchange with Prof. Lafleur:

  • RL: I hope you enjoyed this first lesson.
  • JL: I did enjoy it very much. I thought Vergil might be disappointing after the fun of Ovid, but it’s not – it’s another kind of fun. I’m having a good time with it.
  • RL: It IS “another type” of joy.
This stuck in my mind throughout the course because it is so very true – Vergil has been “another type of joy.” I did Latin AP – Vergil 30 years ago but had forgotten almost everything. This tutorial was a wonderful opportunity to rediscover this truly epic epic. I was a huge fan of Dr. LaFleur’s Ovid tutorial and Vergil gave me an opportunity to take much of what I learned there and build on it in a quite different context. Many of the same poetic techniques, and of course the dactylic hexameter, appear in both Ovid and Vergil, but the subject matter is obviously different. It was fun discovering how these poetic techniques were used to produce a grandiose epic poem, as opposed to the witty and often sarcastic scenes of Ovid. There are also numerous ties with Roman history in the Aeneid – Vergil writes to impress a certain audience and puts details in (think of the death of young Marcellus in Book VI) that could actually be used as historic evidence. Using literature like this to shed light on history is something that is very interesting to me and makes me recall my Art History AP course, where I learned how important visual art and architecture can be for understanding history.

                                                           Jonathan L. fund portfolio management

 
 

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Last updated 5/26. Please report any problems with this website to lafleur922@hotmail.com